This sprawling remix (de/re)construction for the IG P0P LP extends the visual and conceptual universe surrounding David Julian Kirchner's avant-pop project. The original album reinterpreted historical workers' songs through the lens of contemporary pop, and the RMX edition applies the same dialectic once more: ideas collide, authorship becomes collective, and familiar material is opened up to new perspectives. The visuals embrace this notion of continuous transformation. Rather than presenting remixes as secondary versions, the project frames them as parallel realities, shifting emphasis, atmosphere and emotional temperature while remaining intrinsically connected to the original body of work. As a dialectical gesture, the original imagery undergoes its own negation: values invert and familiar forms return as spectral echoes of themselves, before being recast into a series of bold socialist colour palettes. The resulting visual language oscillates between agitation, irony and hyperreal pop aesthetics. Every remix received its own visualizer — a synthetic format occupying the space between an animated album cover and a conventional music video. Across eighteen remixes released over four EPs, the project ultimately amounts to nearly a feature film's worth of moving images. The co-op culminated in a live release performance at the Kunsthalle Mannheim, where the remix concept expanded into immersive space. As a collaborative happening with David Julian Kirchner, Michaela Melián, Dominik Rinnhofer, Maxwell Hathaway, Götz Gramlich, Thilo Eichhorn, Dman, Tim Wollmann, Erwin Ditzner, special guest Move D and the Mannheimer Thekenchor, the event transformed the remix project into a multidisciplinary live experience. In collaboration with Dominik Rinnhofer, the visual universe of IG P0P was reconstructed as a series of large-scale projections, transforming the identity into a constantly evolving stage environment. Rather than serving as a conventional concert backdrop, the visuals became active performers in their own right — responding to the music through perpetual movement, layered transitions and escalating visual intensity.